This documentary case study originally appeared on DocumentaryBusiness.com and is republished here with permission from the author.
Guest Post by: Peter Hamilton - Documentary & TV Business Consultant
Published August 7, 2020
In this intense U.S. election year, I caught up with filmmaker Pat McGee to explore his fast-track production of “Bernie Blackout: The Revolution Will Not Be Televised”.
Broadcast on VICE network on May 13, 2020, McGee‘s investigative documentary asks:
For my original Case Study, Pat McGee takes us inside his high-risk project from Concept and Development through Pitch to Field Production and Delivery.
You can listen to my pod-versation with Pat McGee here (or scroll down for the full case study):
In the podcast, we discuss:
We conclude with a discussion of the opportunities for independent filmmakers who view the world from the Left versus for corporate or rightwing film makers.
Award-winning documentary filmmaker Pat McGee investigates corporate media’s coverage of Senator Bernie Sanders’ campaign for president.
The film analyzes how political candidates, their campaigns, and the news media influence, support, or present obstacles to the hopes and dreams of individuals in the context of today’s American political battles.
2-hour Broadcast Documentary Special (TRT 88:00) as part of VICE’s VICE VERSA series.
Pat McGee:
"Months before shooting we began shooting, I decided I wanted to do a documentary about how corporate media was not giving Bernie Sanders enough coverage, thus a Bernie Blackout.
But something interesting happened after Bernie Sanders’ heart attack: he began to rise in the polls and news coverage of his campaign increased.
The theme that I had been developing was falling apart because in some ways the ‘Blackout’ was being lifted.
After I received access to the campaign, I decided it was too big of an opportunity to pass up. I needed to chase the story.
Strangely enough, the story did become the Bernie Blackout.
The term once coined to describe lack of coverage had evolved, and it was now being used to describe corporate media’s bias and unfair coverage of Sanders and his campaign."
“We had planned to spend a week interviewing independent journalists mostly in New York and D.C. but Covid prevented it. We moved to Skyping our experts and upped our GFX package to elevate the coverage.
“We also brought on D.C. based producer Matt Orfalea who had his finger on the pulse of the media players who were intimately involved. His expertise proved to be an important piece of the puzzle.
“We used experts and journalists that added critical analysis to the story and especially their commentary on the news clips. Finally, we had Terry Hahin and Egan Kolb create an amazing GFX package that explained a lot of pertinent information that is vital in understanding the “Bernie Blackout.”
“While Greg Taylor and I were out shooting Bernie Blackout on my own dime, I had a call with Vice to pitch a couple of new projects.
Just a couple years ago, my feature documentary, American Relapse was spun off to a ten-part series for them. I had a great experience working with Vice and was hoping to land another project.
My call was not to pitch Bernie Blackout but at the end of the conversation, I mentioned it in passing.”
“A couple weeks later after the campaigns were suspended from holding rallies I received the greenlight. I could not have been more thrilled.”
Key Sources
Researchers
“Research for the film was a collective effort.
It was all hands on deck.
With such a quick turnaround and delivery everyone’s involvement was vital to the success of Bernie Blackout.
In order to fully appreciate the scope of research we would list everyone involved in the film.”
Archive
“People connect with content that’s factual. More and more audiences know when something is overproduced, filtered or misrepresented.
The premise of Bernie Blackout is: Did corporate media unfairly influence the 2020 election?
That is something that resonates with factual programming!
The use of news media clips is an important and determining storytelling device that’s critical in successfully telling the story of Bernie Blackout.”
“Our filming ended abruptly when the presidential campaigns and to a large extent the country shut down due to the virus. A good reminder that you never know when the story ends! Thankfully, Greg and I shot had around the clock as we knew there were no do-overs, this was a historic election and we wanted to capture everything we could.”
“Two days into post, Los Angeles shut down and we needed to devise a plan to work remotely. Devon Collins and Revolution Post worked with us to formulate a plan where we could work remotely.”
“All the interviews for the journalists and experts had to be conducted via Skype. We decided to build out an extensive GFX package to assist in covering the parts of the interview that could have glitches. We embraced the idea that the journalists were working via Skype, it really captured them in a more organic environment.”
Timeline
Music
In the $300,000-500,000 range.
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Read about the production crew here: Bernie Blackout production crew
“The intense following from people deeply involved in Bernie Sanders Campaign has been very rewarding.
So many supporters have reached out and said the film has been an important part of their grieving process after Bernie’s devastating loss.
One more highlight I would like to mention is from the academic world.
B.J. Bullert, a professor at Antioch University and a documentary filmmaker herself, has made the film required viewing for her class, MEDIA FOR SOCIAL CHANGE.”
“We were fortunate to find a great partner in Vice TV. Vice TV’s documentary series, Vice Versa was a perfect fit. The series as described by Vice, “VICE Versa independent documentaries give voice to radical and unapologetic points of view.”
When we set out to make Bernie Blackout there was no guarantee we would land a partner as big as Vice.
In the documentary world you need to be driven by the need and will to tell a certain story, to share something that’s important to you. I hope our films will inspire and impact social change.”
“I’ve been fortunate that the three feature documentaries I’ve directed have found large audiences; American Relapse (Graviatas Ventures), The Deported (YouTube Originals) and Bernie Blackout (Vice TV.)
I don’t take for granted these opportunities for distribution. I’ve seen so many amazing films that never reach outside of film festivals.”
VICE TV is the Emmy®-winning international television network from VICE Media Group.
CASE STUDIES: 50 Documentary, Unscripted & Reality Series Projects
by Peter Hamilton, Documentary Business
Peter Hamilton is a media & business strategist and former CBS executive who has directed his New York-based international consulting firm for 30+ years.
His clients have included NBC, A+E Networks, National Geographic Channels, Global Canal+ and BBC; the Rockefeller Foundation; and governments, including Singapore’s IMDA. He has planned and helped launch dozens of channels, notably for Discovery International.
Peter is the founder, editor & publisher of Documentary Business, giving weekly insider analysis to 20,000+ executives and producers worldwide.
He is the executive producer of Season of the Osprey for PBS Nature and worldwide distribution.
His office, Peter Hamilton Consultants, Inc has produced a series of premium industry reports/guides, including the resource-packed course: Selling Your Documentary To Netflix and The Streamers 2025.
Hamilton was educated at The Wharton School, UPenn (MBA) and UMelbourne and regularly presents at major conferences, including MIPDoc and Sunny Side of the Doc.
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CASE STUDIES: 50 Documentary, Unscripted & Reality Series Projects
by Peter Hamilton, Documentary Business
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